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Three pieces of alchemic abstraction and shimmering drones, housed in a Fluxus-style assemblage box from enigmatic underground artist Johann Wlight. Each box is adorned with unique, individual artwork and includes a 12-page booklet, matchbox, iron pyrite and insert.
Both CD-R and Download versions of this record come with 2 bonus download albums, all totalling over an hour and a half of immersive listening. |
TRACKLISTING
the pensive delicate ship
had somewhere to get to
& sailed calmly on
CREDITS
Artwork, booklet & box contents by Johann Wlight
Cover art by Chris Gowers
Mastering by Fraser McGowan
RELEASE DETAILS
Housed in a Fluxus-style assemblage box each with unique, individually handmade cover art and contents.
The box includes a booklet, insert, matchbox, and iron pyrite. Commercial grade CD-R with download including two bonus albums.
Strictly limited to 50.
the pensive delicate ship
had somewhere to get to
& sailed calmly on
CREDITS
Artwork, booklet & box contents by Johann Wlight
Cover art by Chris Gowers
Mastering by Fraser McGowan
RELEASE DETAILS
Housed in a Fluxus-style assemblage box each with unique, individually handmade cover art and contents.
The box includes a booklet, insert, matchbox, and iron pyrite. Commercial grade CD-R with download including two bonus albums.
Strictly limited to 50.
BONUS DOWNLOADS
'Y.V' TRACKLISTING
Y.V.
CREDITS
Music by Johann Wlight.
Mastered by Fraser McGowan in 2017.
RELEASE NOTES
'Y.V.' by Johann Wlight was initially released on Evelyn Records as a limited CD-R only release in 2004.
Y.V.
CREDITS
Music by Johann Wlight.
Mastered by Fraser McGowan in 2017.
RELEASE NOTES
'Y.V.' by Johann Wlight was initially released on Evelyn Records as a limited CD-R only release in 2004.
'thunderthighbonetrumpet' TRACKLISTING
The Colours Being So Quiet
*
Untitled
**
Aube
***
Lead/Kindly/Lead
CREDITS
Music by Johann Wlight.
Mastered by Fraser McGowan in 2017.
RELEASE NOTES
'thunderthighbonetrumpet' was recorded in 2005 and is previously unreleased.
The Colours Being So Quiet
*
Untitled
**
Aube
***
Lead/Kindly/Lead
CREDITS
Music by Johann Wlight.
Mastered by Fraser McGowan in 2017.
RELEASE NOTES
'thunderthighbonetrumpet' was recorded in 2005 and is previously unreleased.
ARTWORK
REVIEWS
One of the joys of reviewing for Terrascope Online is when a hand-made package comes in showing that real attention has been paid to presentation. "a.y." by itdreamedtome (one Johann Wlight, noted of the '90s/'00s underground UK electronic scene) is one such, housed in a recycled card box with more goodies inside. It's a real piece of art! The music is again meditative and drone-like, meant to be experienced over a much longer time scale than other music. The synth and keyboard work on this album is outstanding, making a very good release. Recommended for all ambient heads. - Terrascope Online
A.Y. by itdreamedtome was slipped out in an understated but handsome package by no-audience underground veteran Chris Gowers on his label Trome Records. A new release from Chris is always cause for celebration but, as it turned out that itdreamedtome was none other than Johann Wlight breaking a decade long silence, I couldn’t log in to Paypal fast enough. Chris tells the story of JW’s work, influence and disappearance eloquently in the notes on the album’s Bandcamp page so you can catch up there. I’ll just say that these pieces have a rare poise, an intricate delicacy that overlays much sub-surface activity. Like paddling in the waters of a moonlit bay and feeling something large and scaly brush against your ankles. His touch is as deft as it ever was – what a joy to have him back.
- Rob Galpin, radiofreemidwich
The word Trome, as in Trome Records, is an acronym that stands for The Remains Of My Estate and Itdreamtome is Johann Wlight from the UK. Trome kindly informs me that I wrote about him before, Vital Weekly 388, 415 and 607 and it is good thing they do so, as I wouldn’t have easily remembered. I now learn that in those years, 1990s and 2000s he was quite active with releases on such labels as Evelyn, Sijis, Larkfall and Matching Head, and his last recording was the first as Itdreamedtome. After 2005 he was silent for nearly a decade but now is back, still with that oddly moniker. This new release comes in a carton box, with a booklet, matchbox (including an iron pyrite) and it looks austere and great. Like before there is a bit of esoteric symbolism, which seems to be part of the deal with his music. You might not be surprised to learn that I re-read those old reviews, but to be honest after all those years I don’t remember the music very well. It was, as I judge now, very atmospheric and perhaps being made with the use of field recordings or hiss. Of this new release I am told he uses much of the same; field recordings, found sounds and tape samples, but it could very well be also guitars and sound effects. There are three long pieces here, from ten to twenty minutes, of shimmering moody pieces. Today I have used the words ‘moody’ and ‘atmospheric’ quite a bit, and the day ain’t over yet, but this surely is by far the quietest of music I hear all day. Slow music, like time taking simply more time, minimal music as in ‘as there any developments, or is this it’ (the answer is: no, there is a bit more than that) and a careful build up if ever it needed one. I thought this was a great release; every time I played it in the last week I grew further and further.
- Vital Weekly
Torna a manifestarsi in forme e contenuti diversi Johann Wlight, musicista attivo sulla sotterranea scena lo-fi inglese dagli anni Novanta e ora al debutto sotto il nuovo alias itdreamedtome. Fin dalla denominazione, Wlight non rinuncia a un approccio enigmatico e di basso profilo, che trova corrispettivo nelle tre lunghe tracce di “A.Y.”, costruite a partire da field recordings e samples di suoni concreti, processati fino a diluirne l’identità originaria nelle persistenze di un’ambience dispiegata su lunghe durate.
Il monolite di quasi venti minuti “The Pensive Delicate Ship” apre infatti il lavoro, costituendone quasi la metà, all’insegna di una sequenza di oscillazioni di frequenze basse, che rispecchia l’immaginario marino suggerito dai titoli dei brani e in seguito rispecchiato tanto dalle spettrali iterazioni di “Had Somewhere To Get To” quanto dalla sorprendente placidità della conclusiva “& Sailed Calmly On”. È in particolare quest’ultima a rivelare l’accuratezza di Wlight nel ricavare dalle sue fonti sonore originarie avvolgenti contenuti ambientali, proiettati in una visionaria deriva fisica e mentale.
- Music Won't Save You
One of the joys of reviewing for Terrascope Online is when a hand-made package comes in showing that real attention has been paid to presentation. "a.y." by itdreamedtome (one Johann Wlight, noted of the '90s/'00s underground UK electronic scene) is one such, housed in a recycled card box with more goodies inside. It's a real piece of art! The music is again meditative and drone-like, meant to be experienced over a much longer time scale than other music. The synth and keyboard work on this album is outstanding, making a very good release. Recommended for all ambient heads. - Terrascope Online
A.Y. by itdreamedtome was slipped out in an understated but handsome package by no-audience underground veteran Chris Gowers on his label Trome Records. A new release from Chris is always cause for celebration but, as it turned out that itdreamedtome was none other than Johann Wlight breaking a decade long silence, I couldn’t log in to Paypal fast enough. Chris tells the story of JW’s work, influence and disappearance eloquently in the notes on the album’s Bandcamp page so you can catch up there. I’ll just say that these pieces have a rare poise, an intricate delicacy that overlays much sub-surface activity. Like paddling in the waters of a moonlit bay and feeling something large and scaly brush against your ankles. His touch is as deft as it ever was – what a joy to have him back.
- Rob Galpin, radiofreemidwich
The word Trome, as in Trome Records, is an acronym that stands for The Remains Of My Estate and Itdreamtome is Johann Wlight from the UK. Trome kindly informs me that I wrote about him before, Vital Weekly 388, 415 and 607 and it is good thing they do so, as I wouldn’t have easily remembered. I now learn that in those years, 1990s and 2000s he was quite active with releases on such labels as Evelyn, Sijis, Larkfall and Matching Head, and his last recording was the first as Itdreamedtome. After 2005 he was silent for nearly a decade but now is back, still with that oddly moniker. This new release comes in a carton box, with a booklet, matchbox (including an iron pyrite) and it looks austere and great. Like before there is a bit of esoteric symbolism, which seems to be part of the deal with his music. You might not be surprised to learn that I re-read those old reviews, but to be honest after all those years I don’t remember the music very well. It was, as I judge now, very atmospheric and perhaps being made with the use of field recordings or hiss. Of this new release I am told he uses much of the same; field recordings, found sounds and tape samples, but it could very well be also guitars and sound effects. There are three long pieces here, from ten to twenty minutes, of shimmering moody pieces. Today I have used the words ‘moody’ and ‘atmospheric’ quite a bit, and the day ain’t over yet, but this surely is by far the quietest of music I hear all day. Slow music, like time taking simply more time, minimal music as in ‘as there any developments, or is this it’ (the answer is: no, there is a bit more than that) and a careful build up if ever it needed one. I thought this was a great release; every time I played it in the last week I grew further and further.
- Vital Weekly
Torna a manifestarsi in forme e contenuti diversi Johann Wlight, musicista attivo sulla sotterranea scena lo-fi inglese dagli anni Novanta e ora al debutto sotto il nuovo alias itdreamedtome. Fin dalla denominazione, Wlight non rinuncia a un approccio enigmatico e di basso profilo, che trova corrispettivo nelle tre lunghe tracce di “A.Y.”, costruite a partire da field recordings e samples di suoni concreti, processati fino a diluirne l’identità originaria nelle persistenze di un’ambience dispiegata su lunghe durate.
Il monolite di quasi venti minuti “The Pensive Delicate Ship” apre infatti il lavoro, costituendone quasi la metà, all’insegna di una sequenza di oscillazioni di frequenze basse, che rispecchia l’immaginario marino suggerito dai titoli dei brani e in seguito rispecchiato tanto dalle spettrali iterazioni di “Had Somewhere To Get To” quanto dalla sorprendente placidità della conclusiva “& Sailed Calmly On”. È in particolare quest’ultima a rivelare l’accuratezza di Wlight nel ricavare dalle sue fonti sonore originarie avvolgenti contenuti ambientali, proiettati in una visionaria deriva fisica e mentale.
- Music Won't Save You