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Photograph by Lauren Cecil
Performing Microtonal Guitars & Mallets at the ISSUE Project Room
3rd May 2008

Photograph by Dan Cohoon
Performing Motorized Music for Electric Guitar at Brickbat Books
27th July 2008

DUANE PITRE

Duane Pitre (originally from New Orleans) is a Brooklyn-based, avant-garde composer and performer. A former member of the band The Camera Obscura, and previously recording under the name Pilotram, Duane Pitre's solo output has centred around minimal compositions, long form drone-works and microtonal experiments. His current works explore both chaos and discipline—and the relationship that exists between the two. Pitre primarily works with long-tones and utilizes alternate tuning schemes that focus on microtonality, enabling him to explore unaccustomed harmonic intervallic relationships. Composing primarily for acoustic and electro-acoustic instrumentation, Pitre has scored works for large and small ensembles as well as for solo performers.

Pitre has presented his works in NYC at such spaces as Roulette, The Stone, and ISSUE Project Room (where he was the Spring 2009 Artist in Residence). He has also performed in cities across the U.S. and Europe. Pitre's upcoming shows includes a performance at the MoMA's P.S.1 in Long Island City, NY. He has shared bills with artists such as Marc Ribot, Tony Conrad, Audrey Chen, Sean Meehan, and James Blackshaw.

Pitre has releases on Important Records, Trome Records, Quiet Design, NNA, etc. He's appeared on compilations with artists such as Keith Rowe, Sir Richard Bishop, Tetuzi Akiyama, and Jandek; and he has appeared on soundtracks with Dinosaur Jr., J Mascis, and Animal Collective. He recently curated and contributed a track to a Just Intonation compilation (Important Records), which will feature artists such as Pauline Oliveros, Ellen Fullman, Michael Harrison, Greg Davis, and Charles Curtis.

+ TROME RELEASES +

trome oo1 'Organized Pitches Occurring In Time' LP

+ ARTIST LINKS +

www.duanepitre.com

www.myspace.com/duanepitre

+ PHOTOGRAPHS +

Photograph by Lauren Cecil.
Second residency show @ ISSUE Project Room, w/ James Ilgenfritz on contrabass - 3.25.09

A Circle and the Sound that Fills It
MP3 Download, Bremsstrahlung Recordings 2008

For Loud/For Quiet
Cassette, NNA Tapes 2008

+ OTHER REVIEWS +

Exploring the border between chaos and discipline’ is an over-used phrase usually adopted by ambitious conceptual improvisors, however it is an apt and deserving description of this recording, ‘ED09 for String/Wind Ensemble’, by Brooklyn-based composer and sound artist Duane Pitre. Essentially a long drone piece for chamber ensemble, utilising 21 New York musicians on the title instruments and Pitre’s own bowed guitar, in both concept and resultant sound ‘ED09' follows in the footsteps of such long-form composers as Morton Feldman and Phil Niblock and, less so, the textural music of Ligeti and Xenakis.
The combination of so many voices makes discerning individual instruments particularly difficult, strings and horns for the most part blurred into a vague, beautifully shimmering haze, and it is here that Pitre best achieves the order/chaos balancing act. Based on a score of set playing methods, pitch groups and spontaneous conduction – ‘real time mixing’, as the release puts it – ‘ED09' seems constantly on the verge of collapsing, or rather overflowing, Pitre guiding the work through gentle shifts in depth and dynamics, the music slippery and fluid, contracting and expanding as though drawing the same breath as the wind musicians. Frequently, the music achieves such thickness – and volume – that the resultant sound mass most closely resembles an organ. In other moments the strings seem to dominate, but these moments occur almost like tricks in gestalt perception, like the ‘duck-rabbit’ phenomenon, it brings Tony Conrad to mind, but soon other elements crowd the scene and the focus is shifted. This is drone music of rare depth and power, rich with crescendos and bucolic calm.
- Joshua Meggitt, Cyclic Defrost

We already heard music by Duane Pitre before, an album on Trome Records called 'Organize Pitches Occurring In Time' (see Vital Weekly 605), which he recorded with the Pilotram Ensemble. That was a relatively small ensemble of a tone generator, bass clarinet, alto saxophones and a violin, whereas on this new work 'ED 09', which is performed by twenty-one musicians, which includes no less than five cello players, violin, viola, clarinet, various saxophones. About half the music they play is set in the score, whereas the other half is left for the players to fill in. Pitre as a composer is interested in microtonality, that is tones that are a very close to eachother and may sound like a cluster. In this forty minute live recording this works absolutely beautiful. Sounds swell, sustain, go away and everything flows into eachother in what seems to be a natural way. Again, if you like Phill Niblock, then this is right up your street too. An excellent work. - FdW, Vital Weekly